FRANK X. GASPAR
Black Notebook #9—Los
Angeles
In Bed with an Old Book of Chinese Poetry
photo credit: Alexis Rhone Fancher
Of course I’m sad. It’s night again, but all day long people have been
churning at their books, stuck in the same old tired dialectics and
categories. Their fraudulent poems come from fraudulent thinking.
They are a danger in the world. They make you bleed and toss on
your own sheets. Sometimes you feel so broken that you start to
believe that you cannot break any further, and then someone comes
and asks you for clarification, or another says, I’m confused—you seem
contradictory. I confess that I have always been a frayed glove filled
with shattered glass trying to pass myself off as a hand, and then I
smile in a certain way, and then they smile in certain way. It’s un-
bearable. You always feel that something terrible is going to happen.
You feel that nothing is true. Let’s stop all this. Let’s go down to that
river where the fisherman’s wife says she’s looking for a good dream.
She says they’re hard to find. Then she weeps while the rain falls and
drips all night from the eaves. You don’t find god there. You don’t find
the self and its deadly sins. It’s all about how you’d really be if you
turned off the lights and turned down the noise and stopped all that
goddamned smiling. The emperor gives a silk glove full of pearls to a
lovely woman. She is married. She gives two of them back with a letter.
These two are my tears, she says. How did she grieve so perfectly?
That’s what we want to know. Nothing else matters. By that river:
There’s a shack there. The wood is old and bleached. The water
swirls by it. Sometimes the wind blows the reeds in tiny circles.
Author of five poetry collections and three novels, Frank X. Gaspar’s work has appeared widely in magazines and literary journals, including The New Yorker, The Nation, The Harvard Review, The American Poetry Review, and others. He has held the Helio and Amelia Pedrosa/Luso-American Foundation Endowed Chair in Portuguese Studies at the University of Massachusetts, Dartmouth, and more recently was named the 2016 Ferrol A. Sams Distinguished Chair, Writer in Residence at Mercer University. He currently teaches in the Graduate Writing Program at Pacific University, Oregon.
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