MICHELLE BITTING
An Hour
North of Lee Vining, California
Who remembers where we stopped
for jars of orange neon cheese and the tangled black
knots of faux flies my father taught me to thread,
hooks that pierced the lips of bright trout
skimming lagoons in the craggy High Sierras?
I remember ghost lines cast to blue nothingness
we watched dissolve in the lake’s dark bottom.
What did we say to each other, side by side,
swaying in the wooden dish? Or was it
just the music of the wind in trees parting
ash white branches, the Aspen banter?
Why don’t I remember reeling with the rush
of my glittering first catch, the zagging colors cinched?
I think it’s come to the moment
he showed me how to haul a fat fish up,
how to grasp it tight in my girlish hand,
the wriggling slickness releasing life
into my nervous palm as I raised it high above me
and in one grand swoop, brought the stunned head
down against our boat’s iron edge, a gavel felled,
a verdict delivered, stunning those wide round eyes
to stillness. I can be as cruel as you,
I wanted to say, with pride, but didn’t
and still don’t. It’s enough
to think of it now. Enough to toss it back,
to let that ugly beauty go.
Michelle Bitting won the 2018 Fischer Poetry Prize, Quarter After Eight’s 2018 Robert J. DeMott Short Prose Contest, and a fourth collection of poetry, Broken Kingdom won the 2018 Catamaran Prize and was named to Kirkus Reviews’ Best of 2018. She has poems published in The American Poetry Review, Narrative, The Los Angeles Review, Vinyl Poetry, The Paris-American, Love’s Executive Order, The Raleigh Review, Green Mountains Review, Plume, Tupelo Quarterly, and others. Michelle is a Lecturer in Poetry and Creative Writing at Loyola Marymount University and Film Studies at Ashford U.
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Thank you for the post on my poem, Yuyu! It's an honor to be included in the collection.
ReplyDeleteMy pleasure, Michelle!
DeleteSpectacular poet!
ReplyDelete