JAMES RAGAN
The
Tent People of Beverly Hills
Faceless on the
Boulevard of Mirrors,
north along the flats
of Rodeo Drive’s
stripped bald head
mannequins,
they come treading on
the fears of high
fashion, wandering
homeless, tents on
their backs
and on their cheeks
the beach
black tar of tasteless
chic.
As if to dress were not enough,
we would have them wash
our backhand slap
from their Rimbaud faces.
And all through the
supple stick lash
wands of their eyes,
all
through the wind
whiskers
of fishbone and sour
cream
curdled by fame,
they see along the
fruit stalls and deli box bins
of Wilshire Boulevard,
the world in the room
of their small
walk-space.
They are never certain
whether they are
merely asked
to fill a role like
memory
in some thoughtful
dream of place
or live always short
of major
in some dying minor
sort of way.
As if to live were time enough.
We would have them end
beyond their means.
Hours long they
scrabble
onto hotel walls and
mirrors
the words they would
like to leave us,
the haunted prints of
thought-falls
drifting out of mind’s
possession
like nostalgia or
grief.
The world has lost its
face.
There are no hobo
kings or pioneers
late to live by. When
they lie above
Beverly Drive’s windy
steam of sewer grates,
dream-still and
all-mind gone,
they warm their body
holes to sleep.
They wake to be awake.
In the dreams of many
who never took the
road
to gypsy sorrow,
breathing is enough.
It is a mistake to feel themselves
alone,
to fill their skyholes up with
darkness.
There has never been a
need
for crying, the dying
always say.
Once we move within
the final
inch of breath, there
is no other.
There are a million
tents in the universe
with holes we mistake
for stars.
American poet James Ragan is the author of 10 books
of poetry, including The Hunger Wall and Chanter’s Reed. With
poems in Poetry, Nation, LA Times, and 36 anthologies, he has read for
the U.N, Carnegie Hall, CNN, NPR, PBS, BBC and 7 Heads of State, including
Vaclav Havel and Mikhail Gorbachev. Honors: 2 Litt. D’s, Fulbright Award,
Emerson Poetry Prize, NEA, 9 Pushcart nominations, Poetry Society Citation, and
Swan Foundation Humanitarian Award. With plays staged in U.S, Moscow, Beijing,
Athens, he’s the subject of “Flowers and Roots,” awarded 12 Documentary Festival
recognitions, and Platinum Prize at Houston’s Int. Film Festival.
Director/Emeritus of USC’s Professional Writing Program (25yrs).
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