Wednesday, July 31, 2024

PRATIK SPECIAL CITY ISSUE NEWS UPDATE BY GABRIEL OCHOA-DREYFUS

 

GABRIEL OCHOA-DREYFUS

 

News Update

 


 

Awards & Honors

 

For the first time, the Pulitzer Prize for Fiction was won by two novels this year. Both books explore class in America at opposite extremes. In Demon Copperhead, Barbara Kingsolver tells the story of a boy confronting poverty and addiction in contemporary Appalachia. Trust, by Hernan Diaz, focuses on the lives of a wealthy couple in New York during the Roaring Twenties and the subsequent Great Depression. The prize's finalist, The Immortal King Rao by Vauhini Vara, examines both ends of the class spectrum in its tale of a Dalit child turned CEO.


Prophet Song
by Paul Lynch was the winner of the Booker Prize 2023. The Chair of Judges described the near-future dystopian novel as a "visceral reading experience" that "captures the social and political anxieties of our current moment." The book features a unique format without standard paragraph breaks or quotation marks.

Norwegian author Jon Fosse won the Nobel Prize in Literature 2023 "for his innovative plays and prose which give voice to the unsayable". He writes in Nynorsk, the standard more common in the western part of his home country, where he was born in 1959 and where much of his writing is set. The Swedish Academy describes his debut play, Nokon kjem til å komme, as articulating "the most powerful human emotions of anxiety and powerlessness in the simplest everyday terms". He previously won the 2015 Nordic Council Literature Prize for his prose trilogy, Andvake, Olavs Draumar, and Kveldsvævd.

The 2023 National Book Award for Fiction was awarded to Justin Torres for his sophomore novel Blackouts. The judges cite his historical fiction work as "slowly unfolding more and more inventive 'blackouts'—revealing, divulging, or re-elaborating mainstream narratives and thus creating newer and truer meanings."

Craig Santos Perez won the 2023 National Book Award for Poetry for from unincorporated territory [åmot]. The parenthetical title refers to the Chamoru word for medicine, as this collection focuses on how storytelling can aid indigenous communities in healing from colonialism, systemic injustice, and loss of connection with their culture.

The Center for Fiction, a literary nonprofit based in Brooklyn, awarded its 2023 Medal for Editorial Excellence to Graywolf Press. Founded in 1974 and currently located in Minneapolis, Graywolf Press is an independent publisher of fiction, nonfiction, poetry, and work in translation. Graywolf books and authors have won the Pulitzer Prize, Booker Prize, Nobel Prize for Literature, and the National Book Award.

This year saw the inauguration of two new literary awards. The Joan Margarit International Poetry Prize was created to honor poets whose body of work has achieved international recognition. Its first winner is Sharon Olds, a California-born poet whose work the jury describes as "non-conformist and genuine writing." Olds' poetry ranges from detailing her personal life to examining world events. Her collection, Stag's Leap, won the 2013 Pulitzer Prize.

The Armory Square Prize for South Asian Literature in Translation was launched to promote the visibility of translated works of fiction and nonfiction from a South Asian language into English. The winner will have their translation published. Musharraf Ali Farooqi won for his translation of Siddique Alam’s short story “The Kettledrum”, which depicts an Adivasi widow and her husband’s ghost. Farooqi’s translation will be published by Open Letter Books in 2024 in the collection The Kettledrum and Other Stories.

 

New Releases

 

The United States Poet Laureate Ada Limón presents a diverse literary landscape in the new anthology You Are Here: Poetry in the Natural World. Edited and introduced by Limón, the fifty-poem collection aims to bring readers on a meditative walk through a “small forest of poetry”. Included in the anthology are previous U.S. Poet Laureate Joy Harjo, Rigoberto González, and Aimee Nezhukumatathil.


Brooklyn
, Colm Tóibín’s 2009 novel centered on a young Irish immigrant to the namesake borough, receives a sequel in his new work, Long Island. The follow-up features protagonist Eilis Lacey returning to her home country for the first time in decades after receiving shocking news. The New Yorker hails Long Island as “a narrative of remarkable power with a sparseness and intensity that gives immense emotional impact.”

Salman Rushdie has released a new memoir, Knife: Meditations After an Attempted Murder. In the book, the celebrated author recounts the attempt on his life at a lecture on the importance of protecting persecuted writers in 2022. More importantly, in Rushdie’s own words, his new work moves beyond the attack into his recovery process, where with the help of his wife and fellow writer Eliza Griffiths, “love wins.”

 

Notable Departures 

 


Brooklyn author Paul Auster died last month at 77. His breakout work was The New York Trilogy, a postmodern mystery series exploring the nature of personal identity. In addition to novels, Auster also wrote for the screen, winning the Independent Spirit Award for Best First Screenplay for Smoke in 1995. He was particularly celebrated in France, where he lived for a time after college translating French poetry. In 2007, he received a medal as a Commander of the Order of Arts and Letters of France. His penultimate novel, 4 3 2 1, a tale of four parallel lives, was shortlisted for the 2017 Booker Prize.

Acclaimed author Cormac McCarthy passed away last summer at the age of 89. Two of his most famous works were set in the American Southwest, where he spent the latter part of his life. Blood Meridian, an epic, violent Western, is widely considered his magnum opus. All the Pretty Horses, a more romantic Western, won the National Book Award in 1992. McCarthy’s post-apocalyptic tale of a father and son, The Road, won the Pulitzer Prize in 2007.

Translator Edith Grossman died at 87 last fall. Grossman raised the visibility of the work of translators when she became one of the first to have her name on a book cover beside the original author’s. Her translation of Don Quixote is considered among the best, and author Gabriel García Márquez described her as “his voice in English.”

Gita Mehta, both a writer and filmmaker, died this past fall in her home in New Delhi, India at 80 years old. Mehta first began a career in documentary film covering the Bangladesh Liberation War in 1971. It was later on in 1979 that she made her writing debut with Karma Cola, a nonfiction book tackling the cultural misunderstandings of Westerners visiting India. Mehta’s later books include Raj, a fictional tale of an Indian princess, and Snakes and Ladders, an essay collection on Indian life released on the fiftieth anniversary of the country’s independence. She was married to Sonny Mehta, former head of Knopf publishing house, who passed away in 2019.

Poet Louise Glück passed away last fall at the age of 80. Glück won many honors over the course of her life, including being appointed the United States Poet Laureate from 2003 to 2004. Her book The Wild Iris won the Pulitzer Prize in 1993 and in 2020 she was awarded the Nobel Prize in Literature. On the subject of death, Glück wrote in her poem “October”: “death cannot harm me more than you have harmed me, my beloved life.”

 










Lucas Ochoa-Dreyfus is a New York-based writer and translator.


 

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Friday, July 26, 2024

PRATIK SPECIAL CITY WRITING HIGHLIGHT: AMERICAN POET JAMES RAGAN POEM, "The Tent People of Beverly Hills"

 JAMES RAGAN

The Tent People of Beverly Hills

 


Faceless on the Boulevard of Mirrors,

north along the flats of Rodeo Drive’s

stripped bald head mannequins,

they come treading on

the fears of high fashion, wandering

homeless, tents on their backs

and on their cheeks the beach

black tar of tasteless chic.

 

              As if to dress were not enough,

              we would have them wash

              our backhand slap

              from their Rimbaud faces.

 

And all through the supple stick lash

wands of their eyes, all

through the wind whiskers

of fishbone and sour cream

curdled by fame,

they see along the fruit stalls and deli box bins

of Wilshire Boulevard,

 

the world in the room

of their small walk-space.

They are never certain

whether they are merely asked

to fill a role like memory

in some thoughtful dream of place

or live always short of major

in some dying minor sort of way.

 

              As if to live were time enough.

              We would have them end

beyond their means.

 

Hours long they scrabble

onto hotel walls and mirrors

the words they would like to leave us,

the haunted prints of thought-falls

drifting out of mind’s possession

like nostalgia or grief.

The world has lost its face.

 

There are no hobo kings or pioneers

late to live by. When they lie above

Beverly Drive’s windy steam of sewer grates,

dream-still and all-mind gone,

they warm their body holes to sleep.

They wake to be awake.

In the dreams of many

who never took the road

to gypsy sorrow, breathing is enough.

 

              It is a mistake to feel themselves alone,

              to fill their skyholes up with darkness.

 

There has never been a need

for crying, the dying always say.

Once we move within the final

inch of breath, there is no other.

There are a million tents in the universe

with holes we mistake for stars.

 

 

American poet James Ragan is the author of 10 books of poetry, including The Hunger Wall and Chanter’s Reed. With poems in Poetry, Nation, LA Times, and 36 anthologies, he has read for the U.N, Carnegie Hall, CNN, NPR, PBS, BBC and 7 Heads of State, including Vaclav Havel and Mikhail Gorbachev. Honors: 2 Litt. D’s, Fulbright Award, Emerson Poetry Prize, NEA, 9 Pushcart nominations, Poetry Society Citation, and Swan Foundation Humanitarian Award. With plays staged in U.S, Moscow, Beijing, Athens, he’s the subject of “Flowers and Roots,” awarded 12 Documentary Festival recognitions, and Platinum Prize at Houston’s Int. Film Festival. Director/Emeritus of USC’s Professional Writing Program (25yrs).

 

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Tuesday, July 23, 2024

PRATIK'S SPECIAL CITY WRITING ISSUE HIGHLIGHT : YUYUTSU SHARMA EDITORIAL POEM. "Thrissur in her Dream"

 

YUYUTSU SHARMA

 

EDITORIAL



 

Thrissur in her Dream 

 

On the first night of our arrival

in Thrissur, the famed sadhu of Pashupati

with his sandal-smeared forehead

dotted with U-shaped scarlet tika

holding a ting brass trident

found in most of flashy tourist

brochures and guidebooks,

the one who otherwise

lived a delightful worldly life

with his wife and numerous children

in a tin-roofed shack

outside Ram Mandir vicinity

across the Bagmati river

appeared in her dream.

The sadhu pulled a three-headed naga

out of his wicker basket and let it

crawl towards her in the dream.

She panicked; in due course

he persuaded her to honor the deity,

allow it to slither atop her shoulders

and cover her head under the canopy

of its fangs as a protector.

Birds whistled shrill notes

in the Ramanilayam Guest House

as she woke up in a town that

circled round a Shiva shrine on a hilltop.

As we walked around the town that

reminded me of my own Punjabi birthplace:

smelly granary stores, quiet

Malgudi squares dotted with street vendors,

blobs of lazy dozing dogs,

old time Raymond and Philips showrooms

along with Gandhi handicraft outlets.

When we finally rode a beautiful

green auto rickshaw that actually

ran on a regular meter to the Shiva shrine

and entered sacred grounds with bare bodies,

the same three-headed naga

stood in the dark hole of the shrine

protecting the Lord's head.

She flipped out, her big black eyes

opened wide: It's the same naga

I saw in my dream earlier in the dawn.

"Lord," I closed my eyes, "I've walked away from

sullen glaciers." I prayed.

"I've come to the summer of your backwaters

to let blood rush back to my groin

in your little town that resembles

the one I grew up in

and where as she once confided

we had the best love of our life

in the courtyard after a bath at

our ancestral water pump,

just a week after my father passed away."

 

 



Yuyutsu Sharma
is one of the few poets in the world who make their living with poetry.  Named as “The world-renowned Himalayan poet,” (The Guardian) “One-Man Academy” (The Kathmandu Post) and “Himalayan Neruda” (Michael Graves, Brand Called You), Punjab-born, Indian poet Yuyutsu is a vibrant force on the world poetry stage.

He is also recipient of fellowships and grants from The Rockefeller Foundation, Ireland Literature Exchange, Trubar Foundation, Slovenia, The Institute for the Translation of Hebrew Literature and The Foundation for the Production and Translation of Dutch Literature.  Author of eleven poetry collections, most recently, The Alchemy of Nine Smiles: Nine Long Poems (Red River, New Delhi, 2024) and Lost Horoscope ( Nirala, 2023), he has read his works at several prestigious places and held workshops in creative writing and translation at Heidelberg University, University of Ottawa, Seamus Heaney Centre, Queens University, Belfast, The Irish Writers’ Centre, Dublin, Rubin Museum, New York, Beijing Open University, New York University and Columbia University, New York. 


Yuyutsu was at the Poetry Parnassus Festival organized to celebrate the London Olympics 2012 where he represented Nepal and India. In 2020, his work was showcased at Royal Kew Gardens in an Exhibit, “Travel the World at Kew.” Half the year, he travels and reads all over the world and conducts creative writing workshops at various universities in North America and Europe but goes trekking in the Himalayas when back home.

 Currently, Yuyutsu curated the Himalayan Literature Festival 2024 in collaboration with New York Writers Workshop in Kathmandu. He also edits Pratik: A Quarterly Magazine of Contemporary Writing.

 

More: www.yuyutsusharma.com

 

 

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Monday, July 22, 2024

PRATIK'S SPECIAL CITY WRITING HIGHLIGHT : GUEST EDITORIAL BY PIIA MUSTAMÄKI

  

PIIA MUSTAMÄKI

GUEST EDITORIAL



Do cities have souls? We feel as if they do because we see cities as living organisms, feeling as strongly about them as we do about people: we love some of them passionately, while we loathe and fear others. Some are off-putting, while some others make us feel safe. Some evoke tenderness, some oppress, and sometimes our home cities change and start alienating us, as happened to Rúnar Helgi Vignisson’s Reykjavik and Charlson Ong’s Manila. But where do we locate a city’s soul?  In a detail we love about it and hence it’s the city’s soul for us, in its collective beating heart, or in the city’s opposing characteristics of “goodness and suffering,” as James Ragan puts it? 


City writing as a term is as elusive as a city’s soul. This collection of poetry, essays and short fiction about cities around the world – Lagos, Dakar, Reykjavik, Paris, Rome, Nicosia, Lahore, Kathmandu, Delhi, Varanasi, Beijing, Hong Kong, Tokyo, Manila, Hanoi, Jakarta, Sydney, Los Angeles, New York, Toronto – does not provide a clear definition for either. But it maps the kinds of diversions cities – whether our homes or travel destinations – provoke as they stage the mundane alongside desire and violence, morphed into being by history, inequalities and movements of people. These diversions disclose cities as beautiful but unfair. They provide belonging, shelter or slaps in the face. They treat men and women differently, as they do people of color and those who have less than others. But what they do all have in common is the ability to conjure up the writer’s imagination.


From Charles Bernstein’s desolate Brooklyn Park to Nathalie Handal’s Rome apartment where green muslin gives way to passion, to Anand Thakore’s Constantinople at the eve of the Turkish conquest where a courtesan prays for mercy for herself and for those who have scorned her, the poetry in this collection captures moments in cities that are undeniably soulful. But cities can be soul crushing, too: Philip McLaren’s fictionalized true story “Black Cul-de-sac” reveals the murderous dead-end Sydney can mean to Aboriginal Australians, Tim Tomlinson’s short story “Sir” a domestic worker’s plight in Hong Kong and Manila, and Sally Breen’s “Embassy” the soulless expat luxury in Hanoi.   


In their essays, Nobel Prize winner Wole Soyinka wrestles with his sometimes nemesis, sometimes soulmate city of Lagos, Vagneux Yann with Varanasi’s tangible holiness, Neelam Hanif with the soul-searching Lahore inspires, and Ravi Shankar with envy for Nicosians’ passion for their city despite or because of its troubled history. In “The Night Driver,” Pratik editor Yuyutsu Sharma takes a Kathmandu taxi that reveals both corruption and deities in the post-earthquake cityscape, while in “She Stares at Me,” Dakar’s Museum of Black Civilizations compels me to look at the legacies of colonization in the eye. The photography chosen by Tadej Žnidarčič echoes the issue’s global scope and the diversions its cities instigate, whether the pandemic’s effects in NYC or Dhaka, weightlifting at a Bangkok cemetery, nighttime street scenes in Kampala, or the quieter side of the megacity of Chennai, captured by Julie Williams-Krishnan.  

Philosopher Kwame Anthony Appiah describes the aim of cosmopolitanism as us “getting used to one another.” In today’s fragmented world, it’s the city where this can happen, where people of all walks of life make homes, work, pray, fight, love and wander the same streets, miraculously more often in harmony than not. This collection bears witness to how in the end the city doesn't only spark creativity but, as Teju Cole puts it, “might be our greatest invention.”

 

 

 Photos by Julie Willaims-Krishnan, Tadej-Znidarcic, Imran Ahmed & Samsun-Helal


Piia Mustamäki is a Finn, a New Yorker and an academic wanderluster, currently located in Abu Dhabi, where she teaches at NYU’s Writing Program. A Fulbright scholar, she has a PhD in English Literature from Rutgers University and her research interests include travel narratives, global south urbanism and gender and postcolonial studies. Her travel writing and essays have appeared in Meridian: The APWT Drunken Boat Anthology of New Writing, Literary Traveler, Memoir Magazine, Panorama: Journal of Travel, Place and Nature, among others. Piia has traveled to more than 120 countries. web: www.1001worlds.com.


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Saturday, July 20, 2024

PRATIK SPECIAL CITY ISSUE : AMERICAN POET CHARLES BERNSTEIN'S 'SELDOM SLENDOR'

 

CHARLES BERNSTEIN



Seldom Splendor

a fine cold mist descends

 

                    on Carroll Park

 

     the swing swings empty

 

        benches bare

 


Recipient of the Bollingen Prize from Yale University, Charles Bernstein is an American poet, essayist, editor, and literary scholar. He is the Donald T. Regan Professor, Emeritus, Department of English at the University of Pennsylvania and one of the most prominent members of the L=A=N=G=U=A=G=E or Language poets. His selected poems, All the Whiskey in Heaven, was published by Farrar, Straus, and Giroux. 


 

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Thursday, July 18, 2024

PRATIK CITY SPECIAL ISSUE HIGHLIGHT: French-American Poet Nathalie Handal's poem, "Viale di Trastevere, 230"

 

      NATHALIE HANDAL

 


Viale di Trastevere, 230

 

I knew that first evening

I wanted more—

 

The way he tore the green muslin

from my body and bit my upper arm.

 

The way his lost breaths

sunk in my breast.

 

I wanted to keep the room,

gather the sheets like a small hill

to stand on together—

 

sometimes the simplest action

keeps sorrow from swelling.

 

For years we bought wine from Bernabei,

plants from Fleur Garden

 

and walked San Cosimato

as if the truth was merely a guest.

 

Who can say how many

lost passions are too many?

 

He never liked

any photos of himself.

 

Now when I zoom into his face,

such poor resolution,

 

he almost looks good.

 

 

Nathalie Handal is described as a “contemporary Orpheus.” She has lived in four continents, is the author of 10 award winning books, translated in over 15 languages, including Life in a Country Album and The Republics, lauded as “one of the most inventive books by one of today’s most diverse writers,” and winner of the Arab American Book Award. Handal is the recipient of awards from the PEN Foundation, Lannan Foundation, Fondazione di Venezia, Centro Andaluz de las Letras, Africa Institute, and featured at the United Nations for Outstanding Contributors in literature She writes the column “The City and the Writer” for Words without Borders. 



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